{"id":927,"date":"2022-06-14T16:37:00","date_gmt":"2022-06-14T14:37:00","guid":{"rendered":"https:\/\/henrikenaumann.com\/?p=927"},"modified":"2022-07-13T15:43:53","modified_gmt":"2022-07-13T13:43:53","slug":"the-museum-of-trance","status":"publish","type":"post","link":"https:\/\/henrikenaumann.com\/de\/2022\/the-museum-of-trance\/","title":{"rendered":"The Museum of Trance"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Ghetto Biennale \/ Atis Rezistans<br>documenta fifteen Kassel, 2022<\/h3>\n\n\n\n<p>Das <a href=\"https:\/\/henrikenaumann.com\/work\/the-museum-of-trance\/\">Museum of Trance<\/a> ist eine fiktive Institution, die das Ph\u00e4nomen der Klangkultur des deutschen Musikgenres Trance der 90er Jahre erforscht. Um die Orgel herum gebaut, das zentrale Instrument der gottesdienstlichen Zeremonien, verbindet die Arbeit, die Strukturelemente der ethnographischen Historisierung und der Museologie kultureller Formationen. St. Kunigundis befindet sich in unmittelbarer N\u00e4he des legend\u00e4ren Clubs \u201aStammheim\u2018 (1996), der bis 1994 \u201aAufschwung Ost\u2018 hie\u00df. In der Kirche waren die Techno-Beats w\u00e4hrend der Sonntagsgottesdienste zu h\u00f6ren. Die Trance-Orgel verbindet diese verschiedenen spirituellen Sph\u00e4ren &#8211; als ob die Beats immer noch dr\u00f6hnen w\u00fcrden.                                                                <\/p>\n\n\n\n<p>Bastian Hagedorn \/ Henrike Naumann<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/The-Museum-of-Trance_Photo-by-Johannes-Honeck-II-1-1024x1024.jpg\" alt=\"\" class=\"wp-image-583\" srcset=\"https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/The-Museum-of-Trance_Photo-by-Johannes-Honeck-II-1-1024x1024.jpg 1024w, https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/The-Museum-of-Trance_Photo-by-Johannes-Honeck-II-1-300x300.jpg 300w, https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/The-Museum-of-Trance_Photo-by-Johannes-Honeck-II-1-150x150.jpg 150w, https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/The-Museum-of-Trance_Photo-by-Johannes-Honeck-II-1-768x768.jpg 768w, https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/The-Museum-of-Trance_Photo-by-Johannes-Honeck-II-1-1536x1536.jpg 1536w, https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/The-Museum-of-Trance_Photo-by-Johannes-Honeck-II-1-2048x2048.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Texte zur Ghetto Biennale<\/h3>\n\n\n\n<p><a href=\"https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/07\/GBD15A5bookletfinal.pdf\">PDF zur Ausstellung in St. Kunigundis Kassel mit Infos zu allen Arbeiten<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/vimeo.com\/14681755\">Film &#8222;The Sculptors of Grand Rue&#8220; von Leah Gordon<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/ghettobiennale.org\/\">Webseite Ghetto Biennale<\/a><\/p>\n\n\n\n<p><a href=\"http:\/\/www.atis-rezistans.com\/\">Webseite Atis Rezistans<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.centralbooks.com\/ghetto-biennale-geto-byenal-2009-2015.html\">Katalog Ghetto Biennale<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"630\" src=\"https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/Bildschirmfoto-2022-06-20-um-23.02.32-1-1024x630.png\" alt=\"\" class=\"wp-image-595\" srcset=\"https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/Bildschirmfoto-2022-06-20-um-23.02.32-1-1024x630.png 1024w, https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/Bildschirmfoto-2022-06-20-um-23.02.32-1-300x185.png 300w, https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/Bildschirmfoto-2022-06-20-um-23.02.32-1-768x473.png 768w, https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/Bildschirmfoto-2022-06-20-um-23.02.32-1-1536x945.png 1536w, https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/Bildschirmfoto-2022-06-20-um-23.02.32-1-2048x1260.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Texte zu documenta \/ NS-Geschichte<\/h3>\n\n\n\n<p><a href=\"http:\/\/artsoftheworkingclass.org\/text\/context-is-everything-except-when-it-comes-to-germany\">Hito Steyerl: Context is everything, except when it comes to Germany<\/a> <a href=\"https:\/\/www.zeit.de\/kultur\/kunst\/2022-06\/documenta-15-postkoloniale-theorien-kunst-kontextualisierung\/komplettansicht\">(deutsche Version)<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.art-agenda.com\/criticism\/477463\/contested-histories-on-documenta-15\">J\u00f6rg Heiser: &#8222;Contested Histories&#8220;: on Documenta 15<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/documenta-studien.de\/media\/1\/documenta_studies__11_nanne_buurman.pdf\">Nanne Buurman: Northern Gothic: Werner Haftmann\u2019s German Lessons, or A Ghost (Hi)Story of Abstraction<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/periodicos.sbu.unicamp.br\/ojs\/index.php\/mod\/article\/view\/8665413\/26911\">Nanne Buurman: d is for democracy? documenta and the Politics of abstraction between Aryanization and Americanization<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Projekte zu documenta \/ NS-Geschichte<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/kunsthochschulekassel.de\/willkommen\/news\/dis-kontinuitaeten-\/-dis-continuities.html\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"715\" src=\"https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/07\/csm_dis_continuities_akt._a67ca0e4f5-1.png\" alt=\"\" class=\"wp-image-946\" srcset=\"https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/07\/csm_dis_continuities_akt._a67ca0e4f5-1.png 600w, https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/07\/csm_dis_continuities_akt._a67ca0e4f5-1-252x300.png 252w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.dis-continuities.de\/\"><img loading=\"lazy\" decoding=\"async\" width=\"742\" height=\"1024\" src=\"https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/07\/flyersw-742x1024.png\" alt=\"\" class=\"wp-image-936\" srcset=\"https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/07\/flyersw-742x1024.png 742w, https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/07\/flyersw-217x300.png 217w, https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/07\/flyersw-768x1060.png 768w, https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/07\/flyersw.png 800w\" sizes=\"auto, (max-width: 742px) 100vw, 742px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.dhm.de\/ausstellungen\/archiv\/2021\/documenta-politik-und-kunst\/\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" src=\"https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/Bildschirmfoto-2022-07-10-um-16.57.39-724x1024.png\" alt=\"\" class=\"wp-image-949\" srcset=\"https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/Bildschirmfoto-2022-07-10-um-16.57.39-724x1024.png 724w, https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/Bildschirmfoto-2022-07-10-um-16.57.39-212x300.png 212w, https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/Bildschirmfoto-2022-07-10-um-16.57.39-768x1087.png 768w, https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/Bildschirmfoto-2022-07-10-um-16.57.39-1086x1536.png 1086w, https:\/\/henrikenaumann.com\/wp-content\/uploads\/2022\/06\/Bildschirmfoto-2022-07-10-um-16.57.39.png 1104w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Ghetto Biennale \/ Atis Rezistansdocumenta fifteen Kassel, 2022 Das Museum of Trance ist eine fiktive Institution, die das Ph\u00e4nomen der Klangkultur des deutschen Musikgenres Trance der 90er Jahre erforscht. Um die Orgel herum gebaut, das zentrale Instrument der gottesdienstlichen Zeremonien, verbindet die Arbeit, die Strukturelemente der ethnographischen Historisierung und der Museologie kultureller Formationen. St. Kunigundis [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1128,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-927","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unkategorisiert"],"acf":[],"_links":{"self":[{"href":"https:\/\/henrikenaumann.com\/de\/wp-json\/wp\/v2\/posts\/927","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/henrikenaumann.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/henrikenaumann.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/henrikenaumann.com\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/henrikenaumann.com\/de\/wp-json\/wp\/v2\/comments?post=927"}],"version-history":[{"count":21,"href":"https:\/\/henrikenaumann.com\/de\/wp-json\/wp\/v2\/posts\/927\/revisions"}],"predecessor-version":[{"id":1123,"href":"https:\/\/henrikenaumann.com\/de\/wp-json\/wp\/v2\/posts\/927\/revisions\/1123"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/henrikenaumann.com\/de\/wp-json\/wp\/v2\/media\/1128"}],"wp:attachment":[{"href":"https:\/\/henrikenaumann.com\/de\/wp-json\/wp\/v2\/media?parent=927"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/henrikenaumann.com\/de\/wp-json\/wp\/v2\/categories?post=927"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/henrikenaumann.com\/de\/wp-json\/wp\/v2\/tags?post=927"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}